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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Aunty Helen, 2021 Charlie Ford

Aunty Helen

Charlie Ford
Image
Sue Ford 1980-2006
Sue Ford 1980-2006
Sue Ford 1980-2006

Sue Ford 1980-2006, 1980-2006 (printed 2013)

Ruth Maddison
Portrait, inkjet print on paper

Purchased 2013

Ed E. Ford
Ed E. Ford
Ed E. Ford

Ed E. Ford, 1909

an unknown artist
Portrait, lithograph on postcard

Collection: National Portrait Gallery
Purchased 2011

Discussion between Bob Hawke and Yunupingu, Burunga Festival, Northern Territory
Discussion between Bob Hawke and Yunupingu, Burunga Festival, Northern Territory
Discussion between Bob Hawke and Yunupingu, Burunga Festival, Northern Territory

Discussion between Bob Hawke and Yunupingu, Burunga Festival, Northern Territory, 1988 (printed 2015)

Sue Ford
Portrait, gelatin silver photograph on paper

Purchased 2015

The Reorientalist, 2013 by Juan Ford

Juan Ford

More about In the flesh artists

Juan Ford received a Master of Art, by research, from RMIT University in 2001. His many commissions include the National Gallery of Victoria’s interactive work You, me and the flock for Melbourne Now 2013/2014 and a project for Hotel de Immigrantes, a project in Manifesta 9, the European Biennale in 2012.

Charlie Ford

Charlie Ford

Vox pops

I had my medium format camera to take like a nice portrait of the family and just happened to see Helen in this really natural pose, shutting the gate to keep the dog away from the spit.

Bill Dix, Ford, Qantas
Bill Dix, Ford, Qantas
Bill Dix, Ford, Qantas

Bill Dix, Ford, Qantas,

Joe Greenberg
Portrait, watercolour, coloured pencil, crayon, gouache, felt tipped pen and ink on paper

Collection: National Portrait Gallery
Gift of the artist 2001

Miss Florrie Ford (Christmas pantomime with toy cat)
Miss Florrie Ford (Christmas pantomime with toy cat)
Miss Florrie Ford (Christmas pantomime with toy cat)

Miss Florrie Ford (Christmas pantomime with toy cat), 1930

Fielding, Leeds
Portrait, gelatin silver photograph on paper

Collection: National Portrait Gallery
Purchased 2017

Self portrait

Sharing the dream?

It's Complicated

In love and war

Woman and child, 2010 by Sam Jinks

Transience

More about In the flesh

These paintings by Juan Ford and sculptures by Sam Jinks evoke the impermanence of human life.

The Reorientalist, 2013 by Juan Ford

Reflection

More about In the flesh

A coincidence of intense self-reflection and the motif of the play-weapon occurs in the work of Melbourne artists Juan Ford and Michael Peck.

Walking in tall grass, Lucy, 2010 by Jan Nelson

More about In the flesh artists

General content

The exhibition features work from Jan Nelson, Natasha Bieniek, Patricia Piccinini, Juan Ford, Petrina Hicks, Ron Mueck, Yanni Floros, Sam Jinks, Michael Peck and Robin Eley.

Self portrait
Self portrait
Self portrait

Self portrait, c. 1934

Stella Bowen
Portrait, oil on cardboard

Purchased 2003

Self portrait

A Singular Line

Magazine article by Simon Elliott, 2003

A newly acquired work by Stella Bowen adds to the National Portrait Gallery's growing collection of important Australian self-portraits.

Jayden Bush on the salt pans I played on as a kid (Northern Adelaide, 2019), 2020 Matthew Thorne

Jayden Bush on the salt pans I played on as a kid (Northern Adelaide, 2019)

Matthew Thorne
Image
Anneliese Seubert
Anneliese Seubert
Anneliese Seubert

Anneliese Seubert, 1997 (printed 2014)

Ingvar Kenne
Portrait, type C photograph on paper

Gift of the artist 2017. Donated through the Australian Government's Cultural Gifts Program.

Divide, 2011 by Sam Jinks

In the Flesh

15 October 2014
Archived media releases 2014

Press releases and image downloads for media.

Divide, 2011 by Sam Jinks

In the flesh

Previous exhibition, 2014

In the flesh is an enthralling and immersive experience of contemporary art that confronts the concept of humanness and the experiences of consciousness and emotion. Featuring ten Australian artists including Jan Nelson, Patricia Piccinini, Ron Mueck and Michael Peck, the exhibition explores themes of intimacy, empathy, transience, transition, vulnerability, alienation, restlessness, reflection, mortality and acceptance.

Sir Sidney Kidman
Sir Sidney Kidman
Sir Sidney Kidman

Sir Sidney Kidman, 1932

Samuel Woolf
Portrait, charcoal heightened with white chalk on paper

Purchased 2009

Spencer 2016, by Warwick Baker

Tough & Tender

Previous exhibition, 2016

Art by Warwick Baker, Chris Burden, Larry Clark, Rozalind Drummond, Nan Goldin, Robert Mapplethorpe and Collier Schorr explores personal relations, individual expression and fluid identity.

Bert Newton
Bert Newton
Bert Newton

Bert Newton, 2006

Robin Sellick
Portrait, inkjet print on paper

Gift of the artist 2006

Nick Cave
Nick Cave
Nick Cave

Nick Cave, 1994

Bleddyn Butcher
Portrait, gelatin silver photograph on paper

Collection: National Portrait Gallery
Gift of the artist 2002

Eric Bana
Eric Bana
Eric Bana

Eric Bana, 2006 (printed 2012)

Andrew Maccoll
Portrait, type C photograph on paper

Collection: National Portrait Gallery
Gift of the artist 2012

Self portrait

Mysterious eyes

Arthur Boyd portraits from 1945
Previous exhibition, 2016

Boyd’s self-portrait at age 25 is joined by his equally emotive portraits of those around him.

Still Life (Pieta), 2007 by Sam Jinks

More about In the flesh

General content

In the flesh is realised through moments of intimacy, empathy, transitions in life and the transience of life, vulnerability, alienation, restlessness, self-reflection, mortality and acceptance.

Lauren in Red, 2003

Is the truth of portraiture vested exclusively in likeness?

Magazine article by Michael Desmond, 2006

Curator Michael Desmond introduces the exhibition Truth and Likeness, an investigation of the importance of likeness to portraiture.

Self portrait with gladioli

Facing Facts

Magazine article by Andrew Sayers AM, 2003

Former NPG Director, Andrew Sayers describes the 1922 Self-portrait with Gladioli by George Lambert.

Rosaleen Norton, Witch of Kings Cross

Rennie Ellis

Aussies All
Previous exhibition, 2006

Rennie Ellis: Aussies All is a celebration of the life and work of the late Australian photographer Rennie Ellis.

Thomas Woolner

Missing Persons

Thomas Woolner in Australia
About Face article

Desperately seeking Woolner medallions

John Farnham

Glossy - Faces Magazines Now

Previous exhibition, 1999

Magazines are the portrait galleries of the 90s... Glossy is about magazines. The exhibition presents the work of eight photographers, Australian by birth or long-term residency, who are producing portraits for publication in magazines around the world.

Prince William of Wales, by Mario Testino, 2003 publ. September 2003.
Credit: Mario Testino

Vanity Fair Portraits

Photographs 1913-2008
Previous exhibition, 2009

Vanity Fair Portraits traces the birth and evolution of photographic portraiture through the archives of Vanity Fair magazine.

Self portrait with glove

To Look Within

Self Portraits in Australia
Previous exhibition, 2004

This exhibition is the first comprehensive survey of self-portraits in Australia, from the colonial period to the present

Bob Hawke

Primed

Some Prime Ministers
Previous exhibition, 2019

Seventeen of Australia’s thirty prime ministers to date are represented in the contrasting sizes, moods and mediums of these portraits.

Scott Redford: Introducing
Reinhardt Dammn

Surfer artist rockstar

Magazine article by Dr Christopher Chapman, 2011

Christopher Chapman talks with Scott Redford about his character Reinhardt Dammn.

Janet Dawson, 2016 by Mark Mohell

Janet Dawson

Explore The Popular Pet Show

When soulmates Janet Dawson and Michael Boddy moved from Sydney to a property, Boddy was clear about why: ‘Our marriage is one long conversation - we moved to the bush so we could talk to each other without so many interruptions.’

Self portrait

Give me five

Magazine article by Karen Quinlan AM, 2021

National Portrait Gallery director Karen Quinlan AM nominates her quintet of favourites from the collection, with early twentieth-century ‘selfies’ filling the roster.

The Long Awaited, 2008 by Patricia Piccinini

In the flesh

Magazine article by Penelope Grist, 2015

An exhibition of humanness in ten themes by Penelope Grist.

Self-portrait, 2015 by Rod McNicol

A spectral sentience

Magazine article by Aimee Board, 2019

Aimee Board reveals method, motivation and mortality in the portraiture of Rod McNicol.

Ruby (left view), 2022 Shea Kirk

National Photographic Portrait Prize 2023

Previous exhibition, 2023

The exhibition is selected from a national field of entries, reflecting the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.

The last of England 1855

Pre-Raphaelite Profile

Magazine article by Michael Desmond, 2006

In 2006 the National Portrait Gallery acquired a splendid portrait of Victoria's first governor, Lieutenant Governor Charles Joseph La Trobe by Thomas Woolner.

Ruby (left view), 2022 Shea Kirk

The 2023 National Photographic Portrait Prize

16 June 2023
Media

Shea Kirk’s portrait of friend and fellow-artist Emma Armstrong-Porter has won the 2023 National Photographic Portrait Prize.

Dr Alison Inglis, AM, 2023 Dena Kahan

School portraits

About Face article

Inga Walton sheds light on a portraiture collection usually only seen by students and teachers at Melbourne University.

Kinky Night. Impressions Club, 1987

Aussies all

Magazine article by Simon Elliott, 2006

The exhibition Aussies all features the ecclectic portrait photography of Rennie Ellis which captures Australian life during the 70s and 80s.

Simone Young

Conduct becoming

Magazine article by Penelope Grist, 2017

Penelope Grist speaks to Bill Henson and Simone Young to discover the origins of the artist’s stunning photographic triptych.

Jessie Street

Australia’s great internationalists

Magazine article by Penelope Grist, 2016

Penelope Grist explores the United Nations stories in the Gallery’s collection.

Self Portrait, 1963–64

What price self?

Magazine article by Jane Raffan, 2013

Jane Raffan investigates auction sales of self portraits nationally and internationally.

George Reid paperweight

Some prime ministers

General content

Sarah Engledow explores the history of the prime ministers and artists featured in the exhibition.

Mick Jagger, Madonna and Tony Curtis, 1997

The Vanity model

Magazine article by David Friend, 2009

Vanity Fair Editor David Friend describes how the rebirth of the magazine sated our desire for access into the lives of celebrities and set the standard for the new era of portrait photography.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency